Sofia Enault
Fluent in Spanish, French, English & Catalan.
Learning Arabic & Italian, looking to restart Turkish.
I'm a former Political Science and Sociology student, with a passion for litterature and photography. Although I didn't find my footing at first in the audiovisual world, in 2019 I started training as a video editor in the Spanish School FX Animation 3D School. I have found a new passion that can allow me bring these interests together in the future.
My latest video montage Reel:
My latest projects:
Work-in-progress on a short film about the conflict of the Congo
A short documentary for the In-Edit Talent Program.
Montage references:
The Trial of the Chicago 7 (2020)
Mindhunter (2017-2019)
Inglorious Basterds (2014)
The Queens Gambit (2020)
12 Years a Slave (2013)
Interstellar (2014)
Ida (2014)
The Silence of the Lambs (1991)
Mad Max: Fury Road (2015)
The Alienist (2018-2020)
A Girl Walks Home Alone at Night (2014)
Django Unchained (2012)
Jojo Rabbit (2019)
Once Upon a time in Hollywood (2019)
In the mood for love (2000)
Lucifer (2012-)
Friends (1994-2004)
He estat a tot arreu (Xibeca 2021)
My 2020 Video Editing Reel:
Zoom interviews edited for Filmarket Hub on the playlists bellow:
Dark-Room Editing Challenge organised by Sven Pape (ThisGuyEdits YouTube channel):
A non-exhaustive list of films, series and documentaries I would've loved being a part of:
Hiroshima mon amour (1959);
El Laberinto del fauno (2006)
Goltzius and the Pelican Company (2012);
La Grande Belleza (2013);
37 Days (2014);
Eye in the Sky (2015)
Eshtebak (2016);
Get Out (2017);
Mindhunter (2017-2019);
Capharnaüm (2018);
Frontera Verde (2019);
Waltz with Bashir (2008);
À voix haute (2016);
Visages et villages (2017);
Taste of Cement (2017);
Chris the Swiss (2018);
System K (2019);
My Octopus Teacher (2020);
Songs of Repression (2020);
Les glaneurs et la glaneuse (2000);